A Guide to Bonsai

Spring Flowering Bonsai

Prunus mume 'Kobai' flowers blooming at the entrance to the Dr. Yee-Sun Wu Chinese Pavilion at the National Bonsai & Penjing Museum. Photo by Steven Voss

It is peak cherry blossom time in Washington, D.C., and the beginning of a new growth ring. The birds, the bees and the humans are all swarming at the National Arboretum. The flowering cherry tree is the pinnacle angiosperm– that’s a fancy word for “flowering plant.”

The United States National Arboretum is a Clonal Germplasm Repository for the United States Department of Agriculture’s Agricultural Research Service. Let’s just say it is a plant DNA library, but instead of books on shelves there are collections of plants in Arboretum gardens. 

The U.S. National Arboretum has more than a thousand cherry trees in their prime for viewing. While their twigs are still naked of leaves, hard wood branches are covered in delicate blossoms. Bees wiggle between the petals and pull out clutches of gold pollen. Humans put their backs against the flowers, smile at cameras, and click. Eagles are soaring and songbirds sing above it all! 

One exceptional specimen of cherry tree DNA is in the National Bonsai & Penjing Museum. Check it out by strolling past the masterpiece bonsai and penjing in the Museum’s central courtyard, behind the massive red doors of the Yee-Sun Wu Chinese Pavilion. Rising from the corner, with branches that partially eclipse the moon gate entrance, is a cherry tree named Prunus mume ‘Kobai’. Less than a month ago icicles were dripping from its hot pink petals. 

This spring, the National Bonsai & Penjing Museum is displaying collections of flowering plant DNA in the form of bonsai and penjing. The Museum’s azalea bonsai special exhibit will be May 21st to June 5th. Some other spring flowering bonsai to admire are quince, maples, crabapples, firethorn, pomegranate and privet. The maple flowers will be small and subtle. They are often too high to see in the wild, so they are overlooked in the landscape. When viewing the blossoms in the Museum’s Japanese Pavilion, they are accessible, a perfectly sized ornament for miniature trees. There is nothing subtle about the flowers on azalea bonsai. Branch pads are pruned to such exaggerated forms that individual plants sometimes appear to be dancing for attention. Within the John Y. Naka North American Pavilion, when the breeze is right, perfume from privet bonsai flowers may be smelled before they are seen. 

One reason bonsai trees appear to be so small is because the size of leaves can be reduced by human intervention. Humans may withhold water or fertilizer to decrease their size. Or large leaves may be plucked and grow back smaller. Roots are constrained by high fired glazed earthenware, but the size of flowers cannot be reduced. Their function is to make future plants. As reproductive elements of plants, where and when they form on bonsai is controlled by reproductive hormones. 

In 1920, two United States Department of Agriculture essential employees named Garner and Allard discovered that many plants flower in response to changes in day length. So, some of the bonsai flowers being adored this spring first began to grow almost a year ago. Last summer and autumn when the days were getting short, spring flowers were microscopic. They were hidden within sheaths of dormant buds for their protection. Growth slows in the winter, but it rarely stops. As flower buds endure the chill they swell faster with every increasing degree. 

Specimens prepared for the Museum’s spring flowering bonsai displays receive countless judicious pruning sessions between flower formation last year and peak spring bloom.  Established silhouettes have been preserved with care not to revert century old bonsai back into a flower-less juvenile state. The common bonsai technique of pinching, or as an arborist would call “header cuts,” are used with reservation. The resulting branch ramification may not allow enough sunlight into canopies to disinfect the diseases flowering trees are prone to. The culture of masterpiece flowering bonsai by pruning is both selective and reductive. The strongest branches are often removed while leaving the little phototropic lateral ones. Those lateral branches, or “spurs,” as an orchardist may say, are where flowers are born. 

With all the help they are receiving from birds, bees, and humans at the U.S. National Arboretum the flowers are sure to be pollinated this spring. Another growth ring will form, flowers will become crabapples and exhibitions will change. This year, the Museum’s fall fruit and foliage special exhibit will be held from October 29 through November 13th. It will highlight bonsai and penjing from the collections at peak autumn color and ripeness. The seasonal nature of bonsai ensures that there is always something to look forward to.

A Holiday Gift Guide: What to Get the Bonsai Lover in Your Life

Looking for the perfect gift for the bonsai lover in your life? Or maybe loved ones are asking what you want for the holidays?

Read on for some shopping inspiration from National Bonsai Foundation board members and National Bonsai & Penjing Museum volunteers. If you make any purchases on Amazon, please use our Amazon Smile link to help support NBF with each dollar you spend!

A NEW TOOL

For the budding bonsai master 

For newbies, grab this eight-piece beginner’s tool set from Bonsai Outlet. A battery-operated toothbrush is a great tool to rid tree trunks and branches of algae. If you’re looking to splurge, we’re coveting this electric carver from Smoky Mountain Woodcarvers.

 

A GOOD READ

For the bonsai bookworm

NBF published many books about the trees of the National Bonsai & Penjing Museum in the last few years, including: 

  • Bonsai & Penjing: Ambassadors of Peace and Beauty (Ann McClellan)

  • In Training: A Bonsai Photo Book (Stephen Voss)

  • The Peace Tree from Hiroshima (Sandra Moore)

  • Forest, Rock Planting & Ezo Spruce Bonsai (Saburo Kato) 

  • John Naka’s Sketchbook 

Find them in the NBF bookstore.

We also recommend John Naka’s Bonsai Techniques, Volumes 1 and 2, which many consider the “bible of bonsai,” and Michael Hagedorn’s latest book Bonsai Heresy.

 

UNLIMITED ACCESS

For the one who can’t get enough of bonsai

A subscription to International BONSAI magazine is a gift that keeps giving throughout the year. Each issue of this educational, professional publication is like a mini lesson on specialized bonsai topics.

A subscription to Ryan Neil’s Bonsai Mirai Live will provide weekly web presentations on all aspects of bonsai and access to an incredible archive of the last year’s presentations.

 

BONSAI PRIDE

For the fashionista

The National Bonsai Foundation is offering branded merchandise. A portion of proceeds from every sale is given to the National Bonsai Foundation to support the National Bonsai & Penjing Museum so your bonsai-lover can wear their pride and know they are supporting their passion as well. Shop sweatshirts, t-shirts, tote bags and even mugs.

 

A GIFT THAT CAN’T GO WRONG

For the one who’s impossible to buy for

A gift certificate to a bonsai vendor. The American Bonsai Tool Company, Dallas Bonsai and Brussel’s Bonsai are some of our favorites. 

 

A GIFT OF PRESERVATION

For anyone who loves bonsai, history or nature

A donation in their name to the National Bonsai Foundation to preserve the art of bonsai and penjing for future generations. Click HERE for more on how your donation supports NBF and the Museum. Happy Holidays!

A Holiday Gift Guide: What to Get the Bonsai Lover in Your Life

Looking for the perfect gift for the bonsai lover in your life? Or maybe loved ones are asking what you want for the holidays?

Read on for some shopping inspiration from National Bonsai Foundation board members and National Bonsai & Penjing Museum volunteers. If you make any purchases on Amazon, please use our Amazon Smile link to help support NBF with each dollar you spend!

A NEW TOOL

For the budding bonsai master 

Screen Shot 2020-11-10 at 12.44.22 PM.png

For newbies, grab this eight-piece beginner’s tool set from Bonsai Outlet. A battery-operated toothbrush is a great tool to rid tree trunks and branches of algae. If you’re looking to splurge, we’re coveting this electric carver from Smoky Mountain Woodcarvers.

 

A GOOD READ

For the bonsai bookworm

Screen Shot 2020-11-10 at 12.44.15 PM.png

NBF published many books about the trees of the National Bonsai & Penjing Museum in the last few years, including: 

  • Bonsai & Penjing: Ambassadors of Peace and Beauty (Ann McClellan)

  • In Training: A Bonsai Photo Book (Stephen Voss)

  • The Peace Tree from Hiroshima (Sandra Moore)

  • Forest, Rock Planting & Ezo Spruce Bonsai (Saburo Kato) 

  • John Naka’s Sketchbook 

Find them in the NBF bookstore.

We also recommend John Naka’s Bonsai Techniques, Volumes 1 and 2, which many consider the “bible of bonsai,” and Michael Hagedorn’s latest book Bonsai Heresy.

 

UNLIMITED ACCESS

For the one who can’t get enough of bonsai

Screen Shot 2020-11-10 at 12.44.09 PM.png

A subscription to International BONSAI magazine is a gift that keeps giving throughout the year. Each issue of this educational, professional publication is like a mini lesson on specialized bonsai topics.

A subscription to Ryan Neil’s Bonsai Mirai Live will provide weekly web presentations on all aspects of bonsai and access to an incredible archive of the last year’s presentations.

 

BONSAI PRIDE

For the fashionista

0570bb08-1942-4eeb-9462-04c36c292aff.jpeg

New this year, we are offering National Bonsai Foundation branded merchandise. A portion of proceeds from every sale is given to the National Bonsai Foundation to support the National Bonsai & Penjing Museum so your bonsai-lover can wear their pride and know they are supporting their passion as well. Shop sweatshirts, t-shirts, tote bags and even mugs.

 

A GIFT THAT CAN’T GO WRONG

For the one who’s impossible to buy for

Screen Shot 2020-11-10 at 12.44.01 PM.png

A gift certificate to a bonsai vendor. The American Bonsai Tool Company, Dallas Bonsai and Brussel’s Bonsai are some of our favorites. 

 

A GIFT OF PRESERVATION

For anyone who loves bonsai, history or nature

Screen Shot 2020-11-10 at 12.43.55 PM.png

A donation in their name to the National Bonsai Foundation to preserve the art of bonsai and penjing for future generations. Click HERE for more on how your donation supports NBF and the Museum. Happy Holidays!

A GUIDE TO BONSAI: Forest Bonsai Presentation

Creating Forest Bonsai: A Relatively Easy & Inexpensive Way to a Lifetime of Bonsai Enjoyment

Our Co-President, Felix Laughlin, gave this presentation on November 10, 2019 at the Blue Ridge Bonsai Society in Asheville, NC, as part of their regular education program for club members. We wanted to share it with you.

Laughlin created this presentation in order to do two things:

1.) To show how easy and relatively quick it is to create a forest bonsai using young seedlings.

2.) To raise awareness around the late Saburo Kato, a Japanese bonsai master who made possible the 1976 Bicentennial bonsai gift that lead to the birth of the National Bonsai & Penjing Museum. Throughout the presentation, Laughlin cites Kato’s classic book on forest bonsai plantings, Forest, Rock Planting & Ezo Spruce (Translated into English and published by NBF - Available for purchase here).

The seedlings Laughlin used were Stewartia seedlings grown and donated for the demonstration by Sage Smith. As you will see from the photographs, his fellow club members were a big help with every stage of the process, from preparing the young trees to tying them down in their proper place in the container.

Enjoy!

A 2001 Photo of Saburo Kato at Mansei-en

A 2001 Photo of Saburo Kato at Mansei-en

Saburo Kato with Forest Bonsai at Mansei-en

Saburo Kato with Forest Bonsai at Mansei-en

Penjing Defined by Master Zhao Qingquan

If you’re not familiar with the nuances differentiating bonsai – which originated in China and has been popularized by the Japanese – from the Chinese art of penjing, the two forms probably seem very similar or even identical. But with a little background, you’ll see there are important differences that distinguish most penjing from bonsai. We spoke with renowned penjing master, Zhao Qingquan, to bring you this blog.


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Zhao was born in Yangzhou City, China, where his father – a penjing enthusiast – first introduced him to the art of penjing. Other than his father, the most influential figure in Zhao’s life was his professor Xiaobai Xu, who bolstered his penjing knowledge.

“I am always proud of my final choice of the penjing as a career,” he says.

As Zhao explained in Penjing: Worlds of Wonderment: “In the Chinese language, we distinguish between three kinds of penjing, shumu penjing (tree penjing), shanshui penjing (which literally translates to “mountain and water penjing” but is usually called “landscape penjing” or “rock penjing”) and shuihan penjing (water-and-land penjing).

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Zhao says that artists in China constantly innovate and develop penjing forms, so the style and content of the art form is becoming increasingly varied, but all have the “same essence of applying natural materials to express natural landscapes.”

Zhao explains that bonsai is actually the same as shumu penjing (tree penjing), one of the three categories of penjing. Tree penjing (bonsai) uses containers to display natural trees and plants, and artists will use wiring, pruning and chiseling techniques to create the composition’s dominant elements, he says.

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In contrast, the second category of mountain and water penjing take the form of landscape scenes: artists will cut and reshape rocks to embody islands or mountains and often add small live plants to flesh out the scene, Zhao says. In the third category of water-and-land penjing, artists depict more “complete” scene, using materials like soil and water, as well as miniature figurines, he adds.

Zhao points out that “as an art aiming at ‘seeing the big from the tiny,’ penjing is often created as a method of self-expression to convey personal emotions.”

He reflects that humans naturally desire a tranquil life that immerses us in nature, but we often alienate ourselves from our natural environment to focus on work and family. Zhao says the pressure to survive in a modern and increasingly industrialized world facilitates humans’ tendencies to not prioritize connections with nature.


 “Penjing art allows us to pursue peacefulness and tranquility in our inner hearts and fulfill our desires of being part of nature,” he said. “Therefore, penjing as an old traditional art has been renewed.”

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Penjing is a traditional Chinese art that can be traced back to as early as the Tang Dynasty (618-907 A.D.). Bonsai (tree penjing) was brought to Japan during the Southern Song Dynasty of China (1127–1279) or the late Heian Period in Japan (794–1192), Zhao says. 

Three nationwide penjing communities have been established successively in China: the Chinese Society of Landscape Architecture Flower Penjing Suiseki Association, the Chinese Penjing Artists Association, and the Penjing Branch of China Flower Association. 

“As an art form expressing the human desire to love nature and peace in the world, penjing has gained increasing popularity around the globe,” Zhao says. “Penjing is used to decorate our homes and to cultivate self-expression, helping us achieve a healthier and happier life.”

Know Your Styles: A Guide to Bonsai Configurations

Walking through the Museum, you’ll find plaques with titles, donor names and dates next to most of the bonsai. But do you know how to tell which style our trees are exhibiting?

To help you wow friends on your next visit, Museum curator Michael James walked us through the main styles of bonsai on display in our pavilions: cascade, upright, root-over-rock, forest and windswept. James said these configurations simplify and categorize trees’ common forms or growth habits after enduring forces of nature – like wind, ice and snow – that shape trees in the wild.

“These are just styles that mimic what’s found happening in trees growing in harsh conditions,” he said.

The formal upright style is a simple design: the tree’s apex stands directly over the base of the trunk, and the tree is perfectly straight. James said the informal upright design is a bit looser and more whimsical than formal upright. The tree’s apex remains in line with the base of the tree, but the trunk twists and turns on its way to the top.

An informal upright bonsai.

An informal upright bonsai.

Forest style displays are created to mirror the different heights and trunk thicknesses found in natural forests, so the trees should differ randomly in size, James said. He added that the displays are usually arranged in odd numbers, ranging from about five to 11 trees.

A forest bonsai display.

A forest bonsai display.

Seeds that land on a small patch of fertile soil germinate and send roots down into the earth to create a tree. But over the years that bit of soil can erode, exposing the rock underneath where the tree began to grow. This process creates the root-over-rock look.

A root-over-rock style bonsai.

A root-over-rock style bonsai.

To replicate this style, bonsai masters will plant a bonsai on top of a rock. In some plantings, the masters attach the bonsai to the rock with wires and the tree lives entirely on the rock, growing in a special soil mix.

In other cases, as the above picture demonstrates, the rock and attached tree are planted in a container filled with soil, and the bonsai roots grow into the soil. In this instance, each time the bonsai is repotted, the master may lift the rock and attached tree higher in the container and remove some of the soil, exposing more of the roots and the rock.

A full-cascade bonsai.

A full-cascade bonsai.

Bonsai in the cascade style also come in two configurations. In the semi-cascade design, the trunk of the tree might lean over and drop below the lip of its pot. But the tip of bonsai in full-cascade reaches below its container, to emulate a tree clinging to a cliffside.

A bonsai in the windswept style.

A bonsai in the windswept style.

The Museum has one tree that displays the windswept look: the iconic Chinese elm. Branches of windswept bonsai grow in one direction and look as if the tree is growing while enduring a strong wind blowing from only one side.

James said some styles are more common in certain trees, but many trees can be trained into myriad configurations. One exception is with cascade bonsai. Trees in the cascade category are often flowering trees or conifers, like pines and junipers, which are found in mountainous areas. Their low hanging branches are pulled down by the weight of fruit or snow and ice that accompany high-altitude conditions, creating the cascade look.

He added that some styles fit specific occasions, as certain designs are more formal than others.

“If you were displaying a bonsai for a special occasion you would use a formal tree, which would be very stately, maybe austere – very proper,” James said. “But an informal tree lends itself more to having a party or a big celebration. Something fun, maybe even more playful.”


Looking to learn even more about bonsai, and get your hands-on experience while doing it? Join our Museum Staff and Volunteers as they offer several Intro to Bonsai classes this July. Learn more here.