NBF News

Ringing in the New Year, Literally

On New Year’s Day, the National Bonsai Foundation joined more than 150 visitors at the U.S. National Arboretum to hear the resonant tolls of a sacred Japanese temple bell. The bell, a gift from the National Bell Festival, was cast in 1798 at a monastery outside present-day Tokyo – which makes it 226 years old!

The bell was installed in the central courtyard of the National Bonsai & Penjing Museum, above the entrance to the Japanese Pavilion. The dedication included remarks from Arboretum Director Dr. Richard Olsen and National Bell Festival Director Paul Ashe, a traditional Buddhist blessing and sacred chants from All Beings Zen Sangha, and a ceremonial ringing of the bell. The ceremony also included four varieties of Japanese tea courtesy of local DC teahouse Teaism, including GenMaiCha (green tea with toasted rice), Hojicha (toasted green tea), Sencha, (very high grade green tea), and Soba Cha (Japanese buckwheat herbal infusion).

The event was covered by several outlets. You can read more at the links below:

ABC 7 (WJLA): Centuries-old Japanese temple bell installed at National Arboretum on New Year's Day »

WTOP News: How a nonprofit plans to preserve the sound of an ancient Japanese bell in DC »

The National Bell Festival: Japanese Bell Dedication Ceremony »

The National Bell Festival rings on New Year's Day across all seven continents, including eight handbells that are being played by two women on the ice shelf in Antarctica.

The bell is inscribed in classical Japanese across three ikenomachi, or panels, which detail the particulars of its casting. It includes the phrase: “One strike permeates all things. How could it be said the strike is slight, when it is heard without fail?”

Visit the Museum to see this beautiful bell in person!

an old bell finds a new home

Courtesy of the National Bell Festival:

The hanshō, or Buddhist temple bell, was cast in the ninth month of Kansei 10 (1798) by Katō Jinemon from Yokokawa, who came from a family of bell makers in the area of present-day Hachiōji, west of the Tokyo metropolitan area. Their foundry was near the Zen monastery and temple Daisen (also called Daisenji in respect), for which the bell was cast. A monk named Myōdō led a fundraising campaign for the bell's casting. It stands 27 inches tall and weighs 80 lbs.

The Daisen monastery no longer exists. It was located in the Amema village in the Tama district of the province of Musashi. As is true of many Edo-period villages, the names of locations have changed, but the location corresponds to Amema, Akiruno City, Tokyo 197-0825. In 1868, the monastery was incorporated with another temple complex named Jōfukuji, which also no longer exists.

The bell is inscribed in classical Japanese across three ikenomachi, or panels, which detail the particulars of its casting. It includes the phrase:

One strike permeates all things. How could it be said the strike is slight, when it is heard without fail?

What is a Hanshō?

Courtesy of the National Bell Festival:

Hanshō are stationary clapper-less signaling bells hung in Buddhist temples throughout Japan. Like the larger bonshō, hanshō are hung mouth-down and remain motionless. A wooden beam or handheld mallet is swung to sound the bell, which indicates the time and calls monks to prayer. In earlier days, hanshō also gave service as fire alarms in village watch towers.

It is said the sloping shoulders and flat base of a hanshō emulate the seated posture of Buddha. As such, the bells are accorded utmost reverence. Casting the temple bell is also a sacred event, with sprigs of hallowed mulberry, gold offerings, and papers containing Buddhist prayers tossed into the molten bronze.

During World War II, an ordinance to collect metals was decreed throughout Japan. To feed its war machine and keep its armies outfitted, Japan needed vast quantities of industrial materials – and like plucking fruit from a tree, they turned to peaceable, defenseless bell towers. An estimated 70,000 bells (approximately 90% of the temple bells then in existence) were destroyed and smelted into armament.

Today, bonshō and hanshō maintain their sacred place in Japanese society and have become internationally-recognized symbols of peace and diplomacy.

Event Photo Gallery

Click on any photo to see a larger version. You can then scroll through the gallery by clicking on the left-right icons or using your arrow keys.

All photos courtesy of The National Bell Festival / bells.org.

Thanks for Voting Us The Best (Again)!

We are so grateful to all of you who voted for the National Bonsai & Penjing Museum in this year's Washington City Paper Best of DC Reader's Poll! Thanks to you, we are proud to announce that the National Bonsai & Penjing Museum placed in 4 categories.

Best Place to Meditate
WINNER

Best Place to Take an Out of Towner
WINNER

Best Tour for Out of Towners
FINALIST

Best City Escape in the City
FINALIST

Thank you for helping us be recognized as “The Best of DC” since 2018! Because of these public honors, more people discover the beauty and serenity of the art of bonsai.

And, a big congrats to The U.S. National Arboretum who placed in 3 categories as well!

Commemorative Benches - A New Opportunity

If you love the beauty and brilliance of bonsai, you will appreciate this new opportunity to support the legacy of this great art form.

We invite you to recognize a special occasion or memorialize a loved one by dedicating a commemorative bench on the grounds of the National Bonsai & Penjing Museum at the U.S. National Arboretum. Every generous donation helps ensure that the legacy of bonsai will be protected, preserved, and passed on for future generations.

Each commemorative bench helps us care for the incredible collection of trees at the nation's first and finest bonsai museum. Your gift will be part of a historic tradition that spans continents and cultures, and it will support the art of bonsai for generations to come.


To learn more, visit bonsai-nbf.org/benches.

Welcome Angelica Ramirez, 2023 National Bonsai Apprentice!

Angelica Ramirez, 2023 National Bonsai Apprentice

The National Bonsai Foundation (NBF) is pleased to introduce this year’s National Bonsai Apprentice, Angelica Ramirez – a multi-talented artist. Ramirez steps in as we thank and wish Henry Basile, the 2022 Apprentice, much luck in his next step at the Denver Botanic Gardens as Assistant Curator of the Japanese Garden. Read his thank you note at this link.

The purpose of the National Bonsai Apprenticeship is to educate and train a new generation of American bonsai artists. You can learn more about the Apprenticeship at this link.

Originally from Florida, Angelica Ramirez came to bonsai after years of pursuing and excelling in many interests. She attended the University of Florida for Music Performance and has been a cellist for over fifteen years. She is an accomplished archer, having won multiple championships and breaking multiple state and international records. Angelica started painting as a form of expression, and has a Helicopter Private Pilot license.

These various pursuits in life have led her to the art of bonsai, as she began practicing the art form in 2019 as a way to relax from flight school. She has studied under several teachers including Feng Gu of Penjing Bonsai Garden, Peter Chan of Herons Bonsai, and David Cutchin of D&L Bonsai. She was the first bonsai intern at the Chicago Botanic Garden, where she worked under the Garden’s bonsai curator (and former National Bonsai & Penjing Museum national bonsai apprentice), Chris Baker.

Angelica is the creator of Discover Potters, the global online database of bonsai potters which includes direct links to over 400 active potters in over 45 countries; and includes resources for finding and learning about bonsai pottery. Several of her accomplishments include earning second place at the Bonsai Societies of Florida’s styling competition, which earned her a scholarship to continue her bonsai studies and awarded the opportunity to be a guest artist for the 2022 48th Annual Bonsai Societies of Florida Convention. During that year, Angelica showcased her bonsai at the 2022 Epcot International Flower & Garden Festival and later, at the Chicago Botanic Garden.

Welcome, Angelica! We are thrilled to have you on the team and look forward to all that you will do for the Museum, trees and community!


​​NBF is pleased to provide complete financial support for this apprenticeship, thanks to the Foundation’s generous donors. Without your help, this one-of-a-kind apprenticeship that helps to usher in the next generation of horticulturists wouldn’t be possible. Make a tax-deductible gift today to support the future of bonsai artistry. 

In Memoriam: Marybel Balendonck

The National Bonsai Foundation and greater bonsai community celebrates the life of brilliant bonsai artist Marybel Balendonck, who passed away at age 97 in California in February 2023. 

Balendonck was born and raised in Texas, working an assortment of odd jobs (even obtaining a pilot’s license!) before moving to California in the 1960s. Asian arts captivated her, and she began to teach herself bonsai through books, starting her formal training in 1965. She was one of John Naka’s principal students and dear friends but also studied under prominent artists like Melba Tucker and Harry Hirao.

Since her introduction to bonsai, her passion for the art only grew, and she became thoroughly involved in the bonsai community, once saying that "bonsai combines many of the best aspects of art and nature.”

Balendonck was one of the founding members of the NBF Board of Directors (serving until 2020) and an original member of Kofu Bonsai Kai, a Southern California-based bonsai club. She served in several bonsai club leadership positions, including the Santa Anita Bonsai Society, California Bonsai Society, Golden State Bonsai Federation and a founding member of California Aiseki Kai. She was also the first non-Japanese member of Nampu Kai Bonsai – John Naka’s exclusive bonsai club.

Naka (in overalls) and Nampu Kai members gather including Marybel (in yellow) around a tree during a 2003 meeting in California

“There was hardly any separation between John and Marybel, they were that close,” Former NBF President and Chair Emeritus Felix Laughlin said. “Her legacy will be the Museum’s John Y. Naka Pavilion and the iterations of it in future renovations. Marybel was the real deal and a great and tenacious fighter and promoter of NBF and the Museum.”

Left: John Naka and wife Alice Naka with Marybel

Right: Marybel (orange), John Naka, Nay Komai, Barbara Hall Marshall, Cheryl Manning and Alice Naka

Besides her support for the Naka Pavilion, which houses the North American collection, Balendonck was a key player in the fundraising efforts for several Museum structures and was known for her generous heart. The California Bonsai Society and other friends of Marybel helped to fund the Research Center of the Museum’s exhibits gallery, recognizing her contributions toward the Museum’s completion. 

“Legend has it that during a banquet at a bonsai convention in California she locked all the doors except one, where she put a table and chair in front of and no one could leave unless they gave to the North American Pavilion construction project,” former NBF Co-President Jack Sustic said. “Not sure if that's the exact truth, but knowing Marybel I wouldn't put it past her!”

Her trees were displayed in venues like the Huntington Library and Gardens, Los Angeles County Arboretum, the Japanese American Cultural Center Los Angeles and the Bowers Museum in Orange County, California. Her Chinese Elm, shown left and donated to the Museum in 1990, was once on display at the White House. She was awarded the 1994 Ben Oki Award by the American Bonsai Society.

Marybel also has several stones, including a dobutsu-seki, or animal-shaped stone, in collections all over the world. 

“I have so much respect and admiration for Marybel and consider myself fortunate to be able to call her friend,” Sustic said. “Never one to hide her opinions or waver in her views, one knew exactly where they stood in her eyes. We came to be close friends and her support of me, as a friend and as curator has meant the world to me and I'm eternally grateful for both.”  

Marybel, middle, at the groundbreaking ceremony for the Naka Pavilion in November 1988.

Letter to the Editor Published in The New Yorker

In November, The New Yorker published an article describing the journey of American bonsai artist Ryan Neil, who studied for six years with Masahiko Kimura, "the so-called magician of bonsai". The story includes details about the fraught relationship that Neil had with his teacher, but it also sheds light on the living art we know and love. Though the angle may be provocative, it is a prominent placement about the art and culture of bonsai.

Bonsai is Best of D.C. 2022

You voted, and the results are in! Washington City Paper has published this year’s Best of D.C. with promising results. We sincerely appreciate all of our supporters who worked to recognize the National Bonsai Foundation, the National Bonsai & Penjing Museum and the U.S. National Arboretum in so many categories. 

The results show that the Museum, the Foundation, and the Arboretum were recognized in a total of four categories! Thank you for demonstrating the National Bonsai & Penjing Museum and the National Bonsai Foundation’s value in the D.C. community for yet another year.

The National Bonsai & Penjing Museum has now been recognized as one of the best places to take an out-of-towner for five years in a row! Take a look at the total awards and honorable mentions below.

Best Place to Take an Out-of-Towner

Winner:  The National Bonsai & Penjing Museum  (selected for fifth year in a row)

Finalist:  U.S. National Arboretum

Best Tour for Out-of-Towners

Finalist:  The National Bonsai & Penjing Museum

Best Place to Meditate

Winner:  The National Bonsai & Penjing Museum

Runner-Up:  U.S. National Arboretum

Best Place to Day Trip

Finalist:  U.S. National Arboretum

Bonsai Apprentice Henry Basile's Thank You Letter

As the morning weather in Washington, D.C. gains the slightest hint of a chill, I look out on the serene courtyard of the National Bonsai & Penjing Museum, where I’ve learned and experienced so much since my graduation from Kansas State University with a Horticulture degree just four months ago.

My understanding of plant physiology and general horticultural care – and of course bonsai maintenance, development, and refinement – has deeply expanded through the incredible opportunity to be this year’s Bonsai Apprentice (in honor of the Museum’s first curator, Robert Drechsler. The Apprenticeship provides me eight hours of daily practice at one of the highest levels of intensive horticulture. As anyone who practices bonsai, penjing, kusamono, shitakusa, or related arts will tell you: This hands-on experience is irreplaceable.

Along with the roles of artist and horticulturist, curatorial staff play the roles of educator and historian. While I’m out in the collection watering or weeding, visitors often ask questions from simple (“What are the tea bags on top of the soil?”) to complex (“What is the history of that tree?”), allowing me to deepen my insights each day. This accumulation of knowledge and proficiency, as well as daily interactions with patrons regarding the artistry and history of the trees, are among the most meaningful aspects of my Apprenticeship.

With your support, this program will continue to train people who increase the scope of bonsai within the United States. The National Bonsai Foundation’s ongoing investment in this Apprenticeship, promotion of various exhibits and artists, and dedication to introducing bonsai to a broader public are necessary steps to develop the next generation of bonsai artists and curators. 

Thank you to the National Bonsai Foundation for advancing bonsai artists, horticulturists, and curators through the Bonsai Apprenticeship. And special thanks to you and the many supporters who have made this incredibly formative experience possible for me, those before me, and those still to come.

Henry Basile

Bonsai Apprentice 2022

In Memoriam: Abe Shinzo, September 21, 1956–July 8, 2022

The National Bonsai Foundation extends its deepest condolences to the loved ones of Former Prime Minister Shinzo Abe and to the people of Japan at this sad and difficult time.  Mr. Abe was the longest-serving prime minister of Japan and a very faithful friend to both the United States and democracy throughout the world.  The news of his assassination on July 8, 2022 is a truly tragic and shocking loss. 

Mr. Abe had a special connection to the U.S. National Arboretum’s National Bonsai & Penjing Museum and the NBF, starting from when the Museum opened in 1976.  The Museum opened with a gift of fifty-three trees from the people of Japan to honor the United States’ bicentennial and celebrate peace between the two nations. These trees, the “original gift,” occupy a special place in the Museum’s history, and many remain on display today. One tree, a dwarf Japanese maple, was donated by the Minister of Agriculture, Forestry, and Fisheries, Shintaro Abe, Mr. Abe’s father. 

The Museum was also honored in 2019 to host Mrs. Akie Abe, Mr. Abe’s wife, during her visit to Washington, DC when she toured the Museum alongside the First Lady. It was a privilege then to share with her the tree that her father-in-law had donated, and the Museum continues to be proud to display it for the public at this time.