Event

Ringing in the New Year, Literally

On New Year’s Day, the National Bonsai Foundation joined more than 150 visitors at the U.S. National Arboretum to hear the resonant tolls of a sacred Japanese temple bell. The bell, a gift from the National Bell Festival, was cast in 1798 at a monastery outside present-day Tokyo – which makes it 226 years old!

The bell was installed in the central courtyard of the National Bonsai & Penjing Museum, above the entrance to the Japanese Pavilion. The dedication included remarks from Arboretum Director Dr. Richard Olsen and National Bell Festival Director Paul Ashe, a traditional Buddhist blessing and sacred chants from All Beings Zen Sangha, and a ceremonial ringing of the bell. The ceremony also included four varieties of Japanese tea courtesy of local DC teahouse Teaism, including GenMaiCha (green tea with toasted rice), Hojicha (toasted green tea), Sencha, (very high grade green tea), and Soba Cha (Japanese buckwheat herbal infusion).

The event was covered by several outlets. You can read more at the links below:

ABC 7 (WJLA): Centuries-old Japanese temple bell installed at National Arboretum on New Year's Day »

WTOP News: How a nonprofit plans to preserve the sound of an ancient Japanese bell in DC »

The National Bell Festival: Japanese Bell Dedication Ceremony »

The National Bell Festival rings on New Year's Day across all seven continents, including eight handbells that are being played by two women on the ice shelf in Antarctica.

The bell is inscribed in classical Japanese across three ikenomachi, or panels, which detail the particulars of its casting. It includes the phrase: “One strike permeates all things. How could it be said the strike is slight, when it is heard without fail?”

Visit the Museum to see this beautiful bell in person!

an old bell finds a new home

Courtesy of the National Bell Festival:

The hanshō, or Buddhist temple bell, was cast in the ninth month of Kansei 10 (1798) by Katō Jinemon from Yokokawa, who came from a family of bell makers in the area of present-day Hachiōji, west of the Tokyo metropolitan area. Their foundry was near the Zen monastery and temple Daisen (also called Daisenji in respect), for which the bell was cast. A monk named Myōdō led a fundraising campaign for the bell's casting. It stands 27 inches tall and weighs 80 lbs.

The Daisen monastery no longer exists. It was located in the Amema village in the Tama district of the province of Musashi. As is true of many Edo-period villages, the names of locations have changed, but the location corresponds to Amema, Akiruno City, Tokyo 197-0825. In 1868, the monastery was incorporated with another temple complex named Jōfukuji, which also no longer exists.

The bell is inscribed in classical Japanese across three ikenomachi, or panels, which detail the particulars of its casting. It includes the phrase:

One strike permeates all things. How could it be said the strike is slight, when it is heard without fail?

What is a Hanshō?

Courtesy of the National Bell Festival:

Hanshō are stationary clapper-less signaling bells hung in Buddhist temples throughout Japan. Like the larger bonshō, hanshō are hung mouth-down and remain motionless. A wooden beam or handheld mallet is swung to sound the bell, which indicates the time and calls monks to prayer. In earlier days, hanshō also gave service as fire alarms in village watch towers.

It is said the sloping shoulders and flat base of a hanshō emulate the seated posture of Buddha. As such, the bells are accorded utmost reverence. Casting the temple bell is also a sacred event, with sprigs of hallowed mulberry, gold offerings, and papers containing Buddhist prayers tossed into the molten bronze.

During World War II, an ordinance to collect metals was decreed throughout Japan. To feed its war machine and keep its armies outfitted, Japan needed vast quantities of industrial materials – and like plucking fruit from a tree, they turned to peaceable, defenseless bell towers. An estimated 70,000 bells (approximately 90% of the temple bells then in existence) were destroyed and smelted into armament.

Today, bonshō and hanshō maintain their sacred place in Japanese society and have become internationally-recognized symbols of peace and diplomacy.

Event Photo Gallery

Click on any photo to see a larger version. You can then scroll through the gallery by clicking on the left-right icons or using your arrow keys.

All photos courtesy of The National Bell Festival / bells.org.

National Symphony Orchestra to Perform at The National Bonsai & Penjing Museum

NSO.png

Classical music can often conjure up images of nature with just a simple melody. But on June 1st, visitors to the National Bonsai & Penjing Museum can simultaneously enjoy nature and music at a National Symphony Orchestra quartet performance in the Museum’s courtyard.

We interviewed the members of the quartet about the connection between music and nature and how the group’s visit to the Museum immediately enticed them to play at one of “D.C.’s hidden gems.”

The group said that the NSO had been in talks with the National Bonsai Foundation about the possibility of performing about one year ago, but they were officially sold on the idea of a concert after a trip to the Museum themselves.

“Once you step into the Bonsai Museum, you feel transported miles away from the city and the NSO hopes this performance at the Museum can have a similar transformative effect on listeners,” one of the group’s musicians said.

The quartet consists of violinists Hanna Lee and Jing Qiao, violist Eric deWaardt and cellist Loewi Lin. DeWaardt has played with the orchestra for more than 30 years, while Lee and Qiao are in their inaugural season, and Loewi will officially become a member of the orchestra next season.

“It’s nice to have both familiar and fresh faces representing the NSO in the community,” a member of the quartet said.

The pieces range from traditional Chinese and Japanese folk songs, which will pay homage to the Museum’s bonsai collections, to Philip Glass’ “Mishima” quartet and “Spring” from Vivaldi’s Four Seasons, which will connect audiences to the Museum’s surrounding natural elements.

The quartet said they selected pieces by composers from a range of time periods, but all of the music is inspired by the nature the musicians found in the Museum.

Their method reflects what composers do when they draw on natural elements as inspiration for their compositions – for example, Smetana’s The Moldau, which brings the Vltava River to life or Debussy’s La Mer written about the sea.

“The NSO strives to make symphonic music accessible to everyone in Washington, D.C. and reach new audiences, and we’re very excited to have this new partnership with the National Bonsai Foundation which supports the National Bonsai & Penjing Museum,” another member of the quartet said. “We hope this concert will bring listeners a little peace and help them enjoy the beautiful surrounds of the Museum!”

Reserve your spot now for the NSO’s performance June 1st! Reservations are suggested but not required.